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                <text>Demeure turque Ã  lâ€™origine, ce bÃ¢timent devient une rÃ©sidence pour les hiverneurs en 1889. Le phÃ©nomÃ¨ne touristique a jouÃ© un rÃ´le important dans la diffusion du courant nÃ©o-mauresque Ã  Alger : la famille des architectes Guiauchain qui lâ€™a acquis le transforme, au lendemain de la PremiÃ¨re Guerre mondiale, y introduisant des panneaux de plÃ¢tre sculptÃ© et des carreaux de cÃ©ramique dâ€™inspiration locale. &#13;
&#13;
Lâ€™hÃ´tel est agrandi par Jacques Vidal en 1959, puis par Fernand Pouillon en 1980.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.11</text>
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                <text>Henri Petit, qui fut lâ€™un des architectes les plus prolifiques de cette pÃ©riode nÃ©o-mauresque, construit en 1905 lâ€™un des premiers Ã©difices se rattachant Ã  ce courant : la mÃ©dersa dâ€™Alger. &#13;
&#13;
OrganisÃ©e sur un plan centrÃ©, la mÃ©dersa est couverte de plusieurs coupoles rappelant la mosquÃ©e de la PÃªcherie (17e siÃ¨cle) de la place des Martyrs. &#13;
&#13;
Lâ€™annÃ©e de son inauguration, une exposition dâ€™art musulman y est organisÃ©e ce qui, selon lâ€™historienne Nabila Oulebsir â€œdonne Ã  voir Ã  un large public les caractÃ©ristiques de cet art dans un bÃ¢timent qui sâ€™en inspireâ€.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.12</text>
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                <text>Pour le siÃ¨ge de La DÃ©pÃªche algÃ©rienne quâ€™il Ã©difie en 1906, Henri Petit nâ€™hÃ©site pas Ã  dÃ©tourner des motifs de lâ€™architecture religieuse musulmane pour les plaquer sur des Ã©difices civils, leur faisant ainsi perdre tout leur sens. &#13;
&#13;
Comme bien dâ€™autres architectes auteurs de bÃ¢timents nÃ©o-mauresques au Maghreb, Petit intÃ¨gre un minaret Ã  la faÃ§ade du bÃ¢timent. Si les praticiens dâ€™alors nâ€™hÃ©sitent pas Ã  puiser aux sources de la culture locale, ils le font de faÃ§on parfois totalement dÃ©contextualisÃ©e en expurgeant les modÃ¨les de leur signification originelle.</text>
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&#13;
Cette nouvelle Ã©glise sâ€™inscrit dans la lignÃ©e des constructions nÃ©o-mauresques que Petit conÃ§oit dans lâ€™esprit des recommandations du gouverneur Jonnart (le siÃ¨ge du RND ou le MAMA). &#13;
&#13;
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                <text>Certainement le monument le plus emblÃ©matique de la â€œpÃ©riode Jonnartâ€, la Grande Poste est construite par Jules Voinot et Marius Toudoire entre 1907 et 1910. &#13;
&#13;
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&#13;
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&#13;
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&#13;
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AprÃ¨s la chambre des DÃ©putÃ©s (1962), il accueille dÃ©sormais la chambre des SÃ©nateurs.</text>
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